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A BACKGROUND STUDY OF SHAKESPEAREAN COMEDY

INTRODUCTION As his contemporary Ben Johnson notes, William Shakespeare “was not a man for an age but for all time”. In terms of popularity, variety, and sublimity of themes, dexterity of plot, eloquent poetry, and […] […]

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A CRITICAL STUDY OF SHAKESPEAREAN TRAGEDY

INTRODUCTION The focus of this article will be on Shakespearean tragedy, tragicomedy as well as the chronicle play. The drama of Ben Johnson, Shakespeare’s contemporary will equally be examined here. William Shakespeare wrote enduring and […] […]

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A CRITICAL STUDY OF SHAKESPEAREAN TRAGICOMEDY

INTRODUCTION This article explains the nature and characteristics of Shakespeare’s tragicomedy. It gives an overview of the concept of tragicomedy before concentrating on the Shakespeare type of the genre. Finally, The Merchant of Venice (1596) […] […]

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A CRITICAL STUDY OF SHAKESPEAREAN CHRONICLE PLAYS

Christopher Marlowe’s play, Edward the Second, is often regarded as the first epoch-making English chronicle or historical play. Although there were earlier attempts to create historical drama in England, these efforts appear “more like epic […] […]

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A CRITICAL STUDY OF THE DRAMA OF BEN JONSON

Benjamin Jonson, popularly known as Ben Jonson in literary circle, was a poet extraordinary, an excellent comic writer, great observer, narcissist, classicist as well as man of tremendous reach of thought. L.C. Knights (1955/1975) is […] […]